![]() KM: Dogora was based on the image of squid living at the bottom of the ocean, so we decided to use transparent material. Toshimitsu made the face.īH: One of Toho’s most unique monsters is seen in Dogora the Space Monster (1964). As we did for Yamata-no-Orochi and King Ghidorah, we made the core with urethane and then worked on it. KM: Mr. Kaimai and I made the body together. I also made the mushrooms inside the boat.īH: Did you work on Manda at all for Atragon (1963)? I also made the Matango suit for the scene where Hideyo Amamoto plays a Matango that is in the middle of transforming. KM: I made the Matango suit and mushrooms. What can you tell us about your involvement with the mushroom effects? I glued hessian cloth on the outside of the base, then put undyed cloth on it, and then dyed goat hair. Mr. Toshimitsu made the clay model for the face.īH: Matango (1963) is one of Toho’s most effective horror movies. Please describe the process of making the King Kong suit. Godzilla (1962) is a classic that is still remembered fondly by fans to this day. That’s where the suit actor would enter.īH: King Kong vs. The fastener was not on the back but on the stomach. Nakajima had to crawl inside on all fours. I then coated it with latex and painted it. Keizo Murase: For the body, I glued foam rubber onto a sponge base. I’d like to know if you could tell us more about the creation of the Magma suit. In our first interview, you mentioned creating Magma’s tusks out of FRP for Gorath (1962). Special thanks to Daisuke Sato.īrett Homenick: Thank you very much for agreeing to a second interview. Murase answers Brett Homenick’s questions in a second interview about his career in monster suit-making. ![]() ![]() In this September 2020 interview (translated by Maho Harada), Mr. Mothra (1992), creating many of the iconic monsters from not just Japan but from all over the world. the Thing (1964), Ghidrah the Three-Headed Monster (1964), Frankenstein Conquers the World (1965), Gamera (1965), the Daimajin series (1966), Yongary Monster from the Deep (1967), Terror of Mechagodzilla (1975), The Mighty Peking Man (1977), Godzilla vs. Murase also worked on Mothra (1961), Gorath (1962), Matango (1963), Godzilla vs. Photo © Brett Homenick.īorn on October 5, 1935, in Ikeda, Tokachi, Hokkaido (where his family home still is), Keizo Murase is a veteran kaiju suitmaker who began his career at Toho in 1958, leaving an indelible mark on the genre with his work on Varan the Unbelievable (1958). Made out of double layers of split loop x-mesh carbon fiber for maximum strength and sensitivity.Įquipped with FUJI K Guides and Jigging Master GT Monster II Reel Seatsįor when you need a powerful long rod to go with a spinning reelĪnti-scratch / anti-corrosion anodized surface treatment.Keizo Murase (with King Ghidorah) in April 2019. The perfect rod to be paired with your Shimano Stella, Daiwa Saltiga and other high quality spinning reels.Perfect for offshore casting,popping,stickbaiting,etc… Each GT Monster II Rod is also equipped with Fuji K guides to eliminate the chance of tangling during a cast. Every GT Monster II rod is wrapped with double layers of split loop and x-mesh carbon fiber designed for powerful long casting. ![]() Engineered to outperform, the GT Monster II rods are constructed with the latest technology. Perfect for popper fishing, surface iron, surf fishing. The Jigging Master GT Monster II Rods are the ultimate equipment in it’s class for long range casting with a spinning reel. JIGGING MASTER Saltwater Offshore Casting/Popping Rod GT MONSTER II 8.0 ![]()
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